Monday, September 24, 2007


Frederic Ogden Nash (August 19, 1902May 19, 1971) was an American poet best known for writing pithy and funny light verse.

Ogden Nash Biography
Nash was best known for surprising, pun-like rhymes, sometimes with words deliberately misspelled for comic effect, as in his retort to Dorothy Parker's dictum, Men seldom make passes/At girls who wear glasses:
A girl who is bespectacled
She may not get her nectacled
But safety pins and bassinets
Await the girl who fassinets.
He often wrote in an exaggerated verse form with pairs of lines that rhyme, but are of dissimilar length and irregular meter. Portrait of the Artist as a Prematurely Old Man uses this device to good effect.

Ogden Nash Other Poems
The US Postal Service released a stamp featuring Ogden Nash and six of his poems on the centennial of his birth on 19 August 2002. The six poems are "The Turtle," "The Cow," "Crossing The Border," "The Kitten," "The Camel" and "Limerick One." The stamp is also the first stamp in the history of the USPS to include the word "sex," though as a synonym for gender, not as the act. It can be found under the "O" and is part of "The Turtle". The stamp is the 18th in the Literary Arts series.

Sunday, September 23, 2007

Sons and daughter
Alessandro Galli Bibiena (15 October 1686 Parma - 5 May 1748 Mannheim), Italian architect and painter, was the eldest son of Ferdinando and was born at Parma. Grandsons
Carlo Galli Bibiena (17281787), son of Giuseppe Galli Bibiena, was born in Vienna.

Francesco Galli-Bibiena See also

Saturday, September 22, 2007


The WikiWikiWeb, or simply WikiWiki or Wiki (with a capital 'W'), is the first ever wiki, written in Perl. It accompanies the Portland Pattern Repository (PPR) on c2.com and is located at c2.com/cgi/wiki. It contains various topics and discussions about software engineering. The term wiki that is used to refer to other similar groups of modifiable Web pages, e.g. Wikipedia, came from this original wiki.
In order to make the exchange of ideas between programmers easier, Ward Cunningham started developing the WikiWikiWeb in 1994 based on the ideas developed in HyperCard stacks that he built in the late 1980s. He installed the WikiWikiWeb on his company Cunningham & Cunningham's website c2.com on March 25, 1995. Cunningham named WikiWikiWeb that way because he remembered a Honolulu International Airport counter employee telling him to take the so-called "Wiki Wiki" Chance RT-52 shuttle bus line that runs between the airport's terminals. "Wiki Wiki" is a reduplication of "wiki", a Hawaiian-language word for fast. Cunningham's idea was to make WikiWikiWeb's pages quickly editable by its users, so he initially thought about calling it "QuickWeb", but later changed his mind and dubbed it "WikiWikiWeb". The WikiWikiWeb's WelcomeVisitors page contains the following description:
This wiki's primary focus is PeopleProjectsAndPatterns in SoftwareDevelopment. However, it is much more than just an InformalHistoryOfProgrammingIdeas. It started there, but the theme has created a culture and DramaticIdentity all of its own. All Wiki content is WorkInProgress. Most of all, this is a forum where people share ideas! It changes as people come and go. If you are looking for authoritative information, try WikiPedia. All the information here is subjective.
Some words are written in CamelCase because this is the syntax used to create inter-page links by WikiWikiWeb's software, Wiki Base.

Global justice WikiWikiWeb and its designated sister sites
The WikiWikiWeb plays an important historical role on the World Wide Web and the Internet, because of its influence on other online communities. The WikiWikiWeb's focus on specialized programming makes its content relatively unintelligible to people outside the programming sphere, but, nevertheless, editors (so-called "wiki citizens" or "wikizens") and visitors and readers of the WikiWikiWeb took the idea of making pages user-modifiable outside the WikiWikiWeb and created their own new wiki engines (programs which run wikis) and wikis.
Wiki communities outside the WikiWikiWeb implemented their wiki engines to create wikis focused on content other than programming. The versatility of wikis and their multiple applications is what subsequently made them popular in the Internet's communities.
Probably the most famous example of the WikiWikiWeb's legacy is Wikipedia. A WikiWikiWeb user, programmer Ben Kovitz of San Diego, California, introduced the WikiWikiWeb to Larry Sanger of the Internet company Bomis on the evening of January 2, 2001. At the time, Bomis was working on the online encyclopedia Nupedia, but that project failed, so Sanger suggested running an open encyclopedia on UseModWiki, an indirect clone of WikiWikiWeb's engine. Sanger presented the idea to Jimmy Wales, the then head of Bomis, and he agreed. The UseModWiki-based encyclopedia eventually came to be known as "Wikipedia".
Other popular websites have since come to embrace the wiki method, such as Amazon.com, which in 2007 launched its own Amapedia after two years of trialling wiki technology for customer reviews for items.

Friday, September 21, 2007

Switzerland as a federal state
In 1847, the period of Swiss history known as Restauration ended with the breaking out of a war between the conservative Catholic and the liberal Protestant Swiss cantons (the Sonderbundskrieg). Its immediate cause was a 'special treaty' (Sonderbund) of the Catholic cantons. It lasted for less than a month, causing fewer than 100 casualties. Apart from small riots, this was the last armed conflict on Swiss territory.
As a consequence of the civil war, Switzerland adopted a federal constitution in 1848, amending it extensively in 1874 and establishing federal responsibility for defence, trade, and legal matters, leaving all other matters to the cantonal governments. From then, and over much of the 20th century, continuous political, economic, and social improvement has characterized Swiss history.
The first Federal Coucil sat on 16 November 1848, composed entirely of members of the Free Democratic Party.
In 1859, Reisläuferei (mercenary service) was outlawed, with the exception of the Vatican guard.

Thursday, September 20, 2007

Jay Pritzker
Jay Arthur Pritzker (26 August 1922 - 23 January 1999) was an American entrepreneur and conglomerate organizer born in Chicago, Illinois. He is the son of Abram Nicholas Pritzker.
Trained as a lawyer, he early diversified the Chicago-based family business, the Marmon Group, into lumber. With his brother Robert Pritzker, he built a portfolio of 60 diversified industrial corporations. He created the Hyatt Hotel chain 1957 with his brother Donald Pritzker and owned Braniff Airlines from 19831988.
In 1979 he established the Pritzker Architecture Prize, which is now considered the most prestigious honor in the field.
In 2004, the Jay Pritzker Pavillion, designed by architect Frank Gehry, was completed as part of Millennium Park in downtown Chicago.

Wednesday, September 19, 2007

Berniece Baker Miracle
Berniece Inez Gladys Baker (born July 30, 1919 in Venice, California) is the half-sister of Marilyn Monroe.
Their mother Gladys was married three times. By her first husband "Jap" Baker, she had Berniece and her brother Robert, both born in Los Angeles County, California. Berniece's father, kidnapped her and her brother after their mother, Gladys, divorced him. Berniece grew up in Kentucky, and married Paris Miracle on October 7, 1938; their only child, Mona Rae, was born on July 18, 1939.
Meanwhile, Gladys after a short time in Kentucky, returned to Los Angeles where she married a second time, and eventually gave birth to Marilyn Monroe.
Berniece did not know she had another sibling until she was 19 after receiving a letter from Gladys; they met for the first time in 1944. Berniece worked for many years at the University of Florida. Her and Mona Rae's book, My Sister Marilyn (1994), not only shed new light on their famous relation, but on the family's history of mental illness.

Tuesday, September 18, 2007

Aernout van der Neer
Aernout van der Neer (c.1603, AmsterdamNov 9, 1677, Amsterdam), commonly called Aert or Artus, was the contemporary of Albert Cuyp and Meindert Hobbema, and so far like the latter that he lived and died in comparative obscurity.
According to Arnold Houbraken, Van der Neer had been living in Gorinchem as a steward to the lords of Arkel, which would account for the absence of any pictures dating from his early years. He became an amateur painter possibly upon contact with the local painters Rafael and Jochem Govertsz Camphuysen, whose sister Lysbeth he married in 1632. Van der Neer and his wife moved to Amsterdam that year, where in 1634 their son Eglon was born, who would become a landscape painter himself. Aert van der Neer died in abject poverty, and his art was so little esteemed that the pictures left by him were valued at about five shillings apiece. Even as early as 1659 he found it necessary to supplement his income by keeping a wine tavern.
The earliest pictures in which van der Neer coupled his monogram of A.V. and D.N. interlaced with a date are a winter landscape in the Rijksmuseum at Amsterdam (dated 1639), and another in the Martins collection at Kiel (1642) immature works both, of poor quality. Far better is the Winter Landscape (1643) in Lady Wantage's collection, and the Moonlight Scene (1644) in the d'Arenberg collection in Brussels.
In 1652 van der Neer witnessed the fire which consumed the old town-hall of Amsterdam. He made this accident the subject for two or three pictures, now in the galleries of Berlin and Copenhagen. Though Amsterdam appears to have been constantly van der Neer's domicile, his pictures tell that he was well acquainted with the canals and woods about Haarlem and Leiden, and with the reaches of the Maes and Rhine. Dordrecht, the home of Albert Cuyp, is sometimes found in his pictures, and substantial evidence exists that there was friendship between the two men. At some period of their lives they laid their hands to the same canvases, on each of which they left their joint mark. On some it was the signature of the name, on others the more convincing signature of style. There are landscapes in the collections of the dukes of Bedford and Westminster, in which Cuyp has represented either the frozen Maes with fishermen packing herrings, or the moon reflecting its light on the river's placid waters. These are models after which van der Neer appears to have worked.
The same feeling and similar subjects are found in Cuyp and van der Neer, before and after their partnership, but Cuyp was the leading genius. Van der Neer got assistance from him; Cuyp expected none from van der Neer. He carefully enlivened his friend's pictures, when asked to do so, with figures and cattle. It is in pictures jointly produced by them that we discover van der Neer's presence at Dordrecht. We are near Dordrecht in the landscape sunset of the Louvre, in which Cuyp evidently painted the foreground and cows. In the National Gallery, London picture Cuyp signs his name on the pail of a milkmaid, whose figure and red skirt he has painted with light effectiveness near the edge of van der Neer's landscape. Again, a couple of fishermen with a dog, and a sportsman creeping up to surprise some ducks, are Cuyp's in a capital van der Neer at the Staedel Institute in Frankfurt.
Van der Neer's favourite subjects were the rivers and watercourses of his native country either at sunset or after dark. His peculiar skill is shown in realizing transparence which allows objects even distant to appear in the darkness with varieties of warm brown and steel greys. Another of his fancies is to paint frozen water, and his daylight icescapes with golfers, sleighers, and fishermen are as numerous as his moonlights. But he always avoids the impression of frostiness, which is one of his great gifts.
His pictures are not scarce. They are less valuable in the market than those of Cuyp or Hobbema; but, possessing a charm peculiarly their own, they are much sought after by collectors. Out of about one hundred and fifty pictures accessible to the public, the choicest selection is in the Hermitage at St Petersburg. In England paintings from his brush are to be found at the National Gallery and Wallace Collection, and, amongst others, in the collections of the Marquess of Bute and Colonel Holford.